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Demi Lovato attended the 2013 MuchMusic Video Awards yesterday in Toronto, Canada. At the awards, Demi performed “Heart Attack” and “Give Your Heart A Break.” Demi also was awarded “International Video of the Year!” Congrats to Demi! You can watch videos from the show below also I’ve added pictures from the arrivals and show to the gallery!
VIDEO: Demi Lovato performing Really Don’t Care at Pepsi’s Summer Bash
Demi Lovato wanted a really special place to celebrate the release of her brand-new album, out Tuesday (May 14). She spent the morning with her mom blasting Demi and driving around New York City, but she decided to make a pit stop at MTV to hang out with her fans for an extra-fun release party.
In the half-hour that was “Demi Lovato: Live From MTV,” Lovatics got a breakdown of the album’s songs, asked the singer questions and played charades. And, you know, it was Demi, so of course we were going to get a down-to-earth interview with heart-to-hearts and honest answers. But when it came to games with the audience, we weren’t really expecting her to get raunchy.
Along with playing “kittyoke,” MTV’s version of karaoke that only uses “meows,” Demi sat down with an iPad to draw out the titles of her songs for the Lovatics to guess. For “Made in the U.S.A.,” she drew a American flag, which fans got right away. Easy peezy! But when it came to drawing “Heart Attack” and “Nightingale,” Lovatics were left a little confused with the, um, male genitalia projected behind her. (Make sure you watch the clips for the full hilarity to sink in.)
Lovato got serious after a few laughs and began talking about the writing process on her album. She told fans that she only didn’t write three out of the 13 songs on the album, so her internal voice went deep into the making of the LP.
“I feel like if you’re only singing other people’s songs, it makes it harder for people to understand your story and relate,” she said. “It was my goal to write every single song on the album, and then I fell in love with songs I didn’t write.”
Writing “Shouldn’t Come Back” was one of the songs were she made a lot of changes because of the extreme emotion she was feeling.
“There was a turning point in the song where it was about one thing, but I was like, ‘I want to try something new.’ So I just like, sang, kind of free-styled the lyrics, and I just changed the song completely. And my producers in the studio were like, ‘Whoa, this just got heavy.’ ”
The “Heart Attack” diva spilled about her second go on “X Factor,” revealing there might be a judge announcement in the next week. “I’ve gotten close to some of the contestants. Now, I just, I want to see new talent. I want to be part of that journey again. It just makes you feel really great.” And will enjoy sitting next to frenemy Simon Cowell? “I didn’t say that,” she joked.
Demi Lovato‘s latest album Demi dropped today and the 20-year-old songstress phoned in to On Air with Ryan Seacrest to talk her excitement and revealed which songs are the most personal to her.
The “Heart Attack” singer decided to name her fourth studio album Demi because she’s “never had a self titled album … I feel like this album represents me the best that any album has ever represented me.”
The newly-blond singer continued: “I’m starting a new chapter and a new world in my career coming out in radio songs and more of the mainstream world and some people are hearing me for the first time and I want them to see this is who I am and this is my music and this is what I’m all about.”
And Demi didn’t hold back on letting people know who she is and what she’s about with tracks like “Warrior.” In fact, she revealed: “In this song, I wrote it about something that I had never really talked about before and I’m pretty open with my story but the lyrics kind of say it all it in that song.”
“It was really emotional and hard for me to write that song because I was so vulnerable and was so raw with the lyrics. And just when you’re in the recording booth and you’re singing a very vulnerable song, there were tears. It was intense, and it’s heavy. When I play it for people I almost feel like I’m naked in a way, like I don’t want to be in the room when people listen to it.”
And this isn’t the first track Demi says makes her feel uneasy. “I released another song awhile ago called ‘For the Love of A Daughter’ and that one is a pretty heavy song, as well, and I’ve never performed that live, so I don’t know if I’ll even perform this one live, but it depends on how comfortable I feel when I go on tour.”
Where Demi did feel comfortable was on stage at Wango Tango last weekend. “It felt amazing, even just being a part of Wango Tango felt awesome,” she says. “Obviously, I’ve never played and I was super excited. I love performing in front of huge crowds like that. It’s such a great feeling.”
Another great feeling? The Demi and Taylor Swift mashup that made it’s way onto the Internet last month. So has Demi heard the tune?
“Yeah isn’t that awesome? I heard that and I was like, ‘isn’t that awesome?!’”
Aggrievedness suits Demi Lovato well; always has. In her Disney days, she was — relatively speaking — the hellion of the crew, interested in abraded rock, tough-girl postures and smiles that cracked to reveal sneers.
Her years since teen-idol days have been chaotic: some great music and some not-so-great music, public struggles with bulimia and cutting, and in her latest phase, a role as empowerer in chief on the judging panel of “The X Factor.” Compared to the near-catatonic Britney Spears, Ms. Lovato was refreshingly direct, stern when she needed to be, but more often a source of wisdom. She was also a surprisingly good foil for Simon Cowell, whose signature disdain rolls off Ms. Lovato like so much rain and whom Ms. Lovato rightly sees as a bloated target, not an unstoppable monster.
She has dealt with far worse: that is clear from her music, which has been credibly tense and wounded almost from the start, a tone that continues unabated and even enhanced on “Demi,” her often impressive fourth album. Produced by the Suspex, the duo of Mitch Allan and Jason Evigan, it smartly abandons the pop-R&B songs of her last album, “Unbroken” — easily her shakiest to date — and recasts Ms. Lovato, rightly, in the Kelly Clarkson mold of big-throated singers who have had quite enough, thank you very much.
Unlike Ms. Clarkson, though, Ms. Lovato’s armor is not primarily vocal (though when she abandons the heavy vocal processing, she sings with firmness and an evident touch of vulnerability). “Heart Attack,” the single, has Ms. Clarkson’s familiar loud-soft pop-rock dynamics, matched with Ms. Lovato’s familiar self-doubt: “Never had trouble getting what I want/but when it comes to you I’m never good enough.” And throughout this album, from the chipper “Really Don’t Care” to the theatrical “Warrior,” to the bruising “Fire Starter,” she’s showing off her thick skin.
The production, too, is part of that skin, and it’s generally when it’s stripped down that Ms. Lovato confesses to any weaknesses, as on “Shouldn’t Come Back,” the latest in a suite of songs aimed at her estranged father, and also on the outstanding “In Case,” strikingly written by Priscilla Renea and Emanuel Kiriakou, which echoes the pomp of her 2011 hit “Skyscraper.” It places Ms. Lovato somewhere unusual: at someone else’s mercy — “Strong enough to leave you, but weak enough to need you.”
Ms. Lovato wears that frailty well, but not for long. A few songs later is the album’s other highlight, the breezy and tart “Something That We’re Not.” It’s a sign of pop’s out-of-whack gender relations that a song like this, in which an empowered woman blows off a guy who wants more, is so rare and therefore so bracing. “Don’t introduce me to any of your friends,” she commands. “Delete my number, don’t call me again/We had some fun but now it’s gonna end.” No arguments here. JON CARAMANICA